A char wakes up in the Bay of Bengal estuary for six months. With which the legend of the Lisbon tortoise, the legend of the Portuguese Hermad Pedro is mixed. This Char Nagar is a living land free from the pollution and exploitation of civilization. Fishermen build their houses there for six months. But the administration, the 'Gormen', the greedy eye of civilization, is quick to seize that fodder. Fishermen, like Batasis, end up in consumer goods, 'fish odors' in the claws of 'civilized' people. In the end, Char disappeared without a trace of the citizen. A strong protest against the heartless politico-economy of the current unicentric world order and global hegemony is expressed in this way. In the twist of magic realism, this novel actually talks about the charm that is the elusive sweetness of modern man. The author effortlessly blends reality and fantasy, weaving facts and illusions into a moving picture. The novel's special language style, the introduction of the main story written in magnetic verse at the beginning of each chapter, is in perfect harmony with the epic expansion of the subject. A basic style until now! In the spatial description, the surroundings and nature have become a replica of the various expressions of the human mind."Together the naked women wake up the rich man sleeping under the sea... In the middle of the night, the rich man probably wakes up. They feel the char floating like a big ship...The waves are rising in the sea. The char is swaying. The sea is rough and tumble. Pedro's ship is rocking." The primacy of femininity is established indisputably in this anecdote. The novel becomes swamp poetry in the swoon of folk music.