Pygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor Pygmalion, who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own. Adapted into the Oscar-winning musical film My Fair Lady starring Audrey Hepburn and Rex Harrison in 1964, Pygmalion This is the definitive text produced under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Also included in this volume is Shaw's preface, as well as his 'sequel' written for the first publication in 1916, to rebut public demand for a more conventially romantic ending. Although essentially shy, Dublin-born George Bernard Shaw (1856-1950) created the persona of GBS, the showman, satirist, conversationalist, critic, pundit, wit, intellectual buffoon and dramatist. Commentators brought a new adjective into English: 'Shavian', a term used to embody all his brilliant qualities. Deeply concerned by what he saw as the exploitation of the working class, Shaw was an active Socialist and a brilliant platform speaker. He remains the only person ever to have been awarded both the Nobel Prize in Literature and an Oscar.