Muhammad Bin Tughlaq, who ruled from Delhi in the fourteenth century, was a man of many dimensions. A well-read scholar of the arts, theology, and philosophy, a brilliant calligraphist, a mystic, as well as a poet, it is the 'madness' that earned him the epithet 'Mad Muhammad', that Karnad explores in the play. Using history and myth in equal measure, Karnad delves into the psyche of Muhammad to understand and interpret the rationale behind his whimsical actions. Operating at both symbolic and metaphoric levels, the action of the play is closely paralleled with 'contemporary' political and social events.